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Left upon a Seat in a Yew-tree, which stands near the Lake of Esthwaite, on a desolate part of the shore, commanding a beautiful prospect. "Nay, Traveller! rest. This lonely Yew-tree stands" Poems of Sentiment and Reflection.(1815–43); Poems written in Youth(1845) 1798 The Reverie of Poor Susan 1797
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In the fourth stanza, the tree is a girl with jewels (a nest of robins) in her hair; and in the fifth, it is a chaste woman living alone with nature and with God. There is no warrant in the poem to say that it is different trees that remind the poet of these different types of people. [22]
In writing this poem, Frost was inspired by his childhood experience with swinging on birches, which was a popular game for children in rural areas of New England during the time. Frost's own children were avid "birch swingers", as demonstrated by a selection from his daughter Lesley's journal: "On the way home, i climbed up a high birch and ...
During World War II Hesketh worked as the woman's page editor of the Bolton Evening News. In 1948 she published her second volume of poetry, Lean Forward, Spring! , (London: Sidgwick and Jackson), which earned her widespread acclaim amongst the literary community, including from Siegfried Sassoon .
[15] While it is difficult to ascertain from these oral traditions whether the authors of early texts were male or female, precolonial native poetry certainly addresses issues relevant to women in a sensitive and positive way, for example the Seminole poem, 'Song for Bringing a Child Into the World.' [16] In fact, native poetry is a separate ...
Hirshfield's nine books of poetry have received numerous awards, including the California Book Award, the Poetry Center Book Award, and the Donald Hall-Jane Kenyon Award in American Poetry [4] Her fifth book, Given Sugar, Given Salt, was a finalist for the National Book Critics Circle Award and her sixth collection, After, was shortlisted for ...
The Sangam landscape (Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇai s or modes, depending on the nature, location, mood and type of relationship ...