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Flemming finished his naval service on the gunboat USS E. B. Hale after June 1865 [11] and subsequently returned to Massachusetts, living and working in Cambridge, Massachusetts, and Boston, Massachusetts, [4] where he went into business as a guitar manufacturer [4] and music teacher. [1] Illustration of a Euphonica. Flemming invented a guitar ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V).
The most notable of these, the Rickenbacher A-22 (and A-25) lapsteel guitar – known as the "frying pan" – is widely regarded as the first mass-produced electric guitar. Production of the instrument began in 1932. In 1937, Beauchamp secured a United States patent for his version of the electric guitar. Beauchamp married Myrtle Johnston in 1917.
The string bass is the most commonly used bass instrument in bluegrass music and is almost always plucked, though some modern bluegrass bassists have also used a bow. The bluegrass bassist is part of the rhythm section, and is responsible for keeping a steady beat, whether fast, slow, in 4 4, 2 4 or 3 4 time. The bass also maintains the chord ...
Equivalent patterns in 4 4 and 3 4 [1] Play 4 4 ⓘ and Play 3 4 ⓘ Alberti bass patterns on V 7 Alberti bass in the opening of Thomas Attwood's (1765–1838) Sonatina in G Major [2] Play ⓘ Alberti bass in the opening of Muzio Clementi's Sonatina in G, Op. 36, No. 2 (1797) [3] Play ⓘ The opening of the 5th of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces ...
The note E 1 (or the lowest E on a standard 88-key piano keyboard) is the lowest attainable note on a 9-foot (2.7 m) B ♭ tenor trombone, requiring a full 7 feet 4 inches (2.24 m) of tubing. On trombones without an F attachment, there is a gap between B ♭ 1 (the fundamental in first position) and E 2 (the first harmonic in seventh position).
An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
For example, the tessitura of a soprano voice is roughly C 4 –C 6, while the tessitura of a soprano recorder is C 5 –C 7. Modern variations include standard British terminology, due to Arnold Dolmetsch, which refers to the recorder in C 5 (soprano) as the descant and the recorder in F 4 (alto) as the treble. As conventions and instruments ...