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Other guzheng techniques include harmonics (Fanyin) where one plucks a string while tapping it at the same time, producing a note in a higher octave. [12] Many guzheng techniques have been borrowed from other instruments. For example, Lun is a borrowed technique. In Lun, all five fingers pluck on a string to produce a tremolo sound similar to ...
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as bā yīn . [1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of ...
The guzheng is a Chinese plucked zither. Generally, it has 18 or more strings and movable bridges. Performers use picks to play this instrument and they are known as "daimao". Performers can play guzheng with both hands with different skills. There are usually a few guzheng members in a Chinese Orchestra, but it can also be played as a solo ...
Ensembles comprising loud wind instruments (including suona, guanzi, sheng, and sometimes also dizi, long straight brass trumpets, or string instruments) and the percussion instruments of the luogu ensemble are usually referred to as either guchui (literally "drumming [and] blowing") or chuida (literally "blowing [and] hitting") ensembles.
Stringed music is prominent in China, especially in the Jiangnan region, where it is the name of all the instruments made from wood and string. This form of performance started from the Jin dynasty (266–420). [citation needed] The most common Chinese stringed instruments are the guqin, zheng, erhu, and pipa. These instruments were developed ...
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A man playing the đàn tranh beside the singer. The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen.
In their current form, both instruments are what are described to be board zithers rather than half-tube zithers. The Japanese Koto is also a half-tube zither. [34] The ancestor of the koto was the Chinese guzheng. [35] [36] [37] [34] It was first introduced to Japan from China in the 7th and 8th century. [38]