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Porcupine quillwork is an art form unique to North America. Before the introduction of glass beads, quillwork was a major decorative element used by the peoples who resided in the porcupine's natural habitat, [ 1 ] which included indigenous peoples of the Subarctic , Northeastern Woodlands , and Northern Plains .
Keshick is a basket-maker and quillworker. She uses porcupine quills, [1] sometimes supplemented by other natural materials such as birch bark and sweetgrass in the decorative articles she creates. [3] [4] It can take a year for her to acquire the quills she needs for a particular work of art. [4]
The word porcupine comes from the Latin porcus ' pig ' + spina ' spine, quill ', from Old Italian porcospino, ' thorn-pig '. [4] [5] A regional American name for the animal is quill-pig. [6] A baby porcupine is a porcupette. When born, a porcupette's quills are soft hair; they harden within a few days, forming the sharp quills of adults. [7]
Melissa Peter-Paul is a Mi'kmaw artist from Abegweit First Nation, [1] [2] Epekwitk/Prince Edward Island.Her work is primarily Mi'kmaq quillwork, and utilizes porcupine quills, along with birch bark, sweet grass, and spruce root.
By: Michelle Rosique and Gillian Pensavalle, Buzz60. Meet the resilient little porcupine who was found with barely any of his quills. He was brought to Wildlife Rescue and Rehabilitation staffers ...
Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas. Indigenous art of the Americas has been collected by Europeans since sustained contact in 1492 and joined collections in cabinets of curiosities and early museums.