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Jesus is sometimes shown performing miracles by means of a wand, [33] as on the doors of Santa Sabina in Rome (430–32). He uses the wand to change water to wine, multiply the bread and fishes, and raise Lazarus. [34] When pictured healing, he only lays on hands. The wand is thought to be a symbol of power.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
The New Testament does contain the rudiments of an argument which provides a basis for religious images or icons. Jesus was visible, and orthodox Christian doctrine maintains that Jesus is YHWH incarnate. In the Gospel of John, Jesus stated that because his disciples had seen him, they had seen God the Father (Gospel of John 14:7-9 [20]).
The phrase is also used to describe other past or future mighty deeds of God, in the following sources: II Kings 17:36, Jeremiah 21:5 27:5 32:17, Ezekiel 20:33 20:34, II Chronicles 6:32. A shortened version ("with a strong hand") is also used to refer to the Exodus: in Exodus 3:19 6:1 13:9 13:16 32:11 among other places.
Many of the AI photos draw in streams of users commenting “Amen” on bizarre Jesus images, praising the impressive work of nonexistent artists or wishing happy birthday to fake children sitting ...
It depicts Jesus and Peter walking on water, heralding Christ's power that viewers would hope to gain through "ritual initiation." [ 10 ] The period of late antiquity (313–476 CE), after the Edict of Milan (313 CE), saw an increase in Paleochristian public art, often focused on apostolic authority, due to Constantine's decriminalisation of ...