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For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The Telegraph states that it is a "comprehensive guide to the most important jazz compositions, is a unique resource, a browser's companion, and an invaluable introduction to the art form", adding that "musicians who play these songs night after night now have a handy guide, outlining their history and significance and telling how they have been performed by different generations of jazz ...
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This list includes tunes written in the 1940s that are considered standards by at least one major fake book publication or reference work. The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington 's " Cotton Tail " (1940) and Billy Strayhorn 's " Take the 'A' Train " (1941).
Richard Rodgers and Lorenz Hart. According to the Great American Songbook Foundation: . The "Great American Songbook" is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy.
Jazz songs (18 C, 138 P) Jazz standards (3 C, 38 P) * Jazz compositions by key (21 C) 0–9. ... The Golden Wedding; Goodbye Pork Pie Hat; H. Jim Hall compositions;
Jazz pianist Fats Waller wrote many of the early jazz standards, including "Squeeze Me" (1925), "Ain't Misbehavin'" (1929) and "Honeysuckle Rose" (1929). 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. [42] It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on ...