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The "Einheitsfrontlied" (German for "United Front Song") is one of the most famous songs of the German labour movement. It was written by Bertolt Brecht and composed by Hanns Eisler . The best-known rendition was sung by Ernst Busch .
"Erika" is a German marching song. It is primarily associated with the German Army, especially that of Nazi Germany, although its text has no political content. [1] It was created by Herms Niel and published in 1938, and soon came into usage by the Wehrmacht. It was frequently played during Nazi Party public events.
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
The Horst-Wessel-Lied ("Song of Horst Wessel"), also known as Die Fahne Hoch ("The Flag Raised"), was the official anthem of the NSDAP. The song was written by Horst Wessel, a party activist and SA leader, who was killed by a member of the Communist Party of Germany. After his death, he was proclaimed a "martyr" by the NSDAP, and his song ...
The "Song of Okinawa Prefecture" (Japanese: 沖縄県民の歌, Hepburn: Okinawa kenmin no uta) was adopted on May 15, 1972, upon the United States' return of Okinawa Prefecture to Japan. Its lyrics were written by local teacher Seiko Miyazato [ ja ] , with music composed by University of the Ryukyus professor Shigeru Shiroma [ ja ] .
National Committee for a Free Germany: Also used the Flag of Germany (1867–1918) without the heading 1930–1933: Black Front: 1920–1924: Union of Upper Silesians: 1920–1945: National Socialist German Workers' Party: 1919–1946: Communist Party of Germany (obverse and reverse) 1918–1933: German National People's Party: Flag of Germany ...
Germania on Guard on the Rhine, Hermann Wislicenus, 1873 " Die Wacht am Rhein" (German: [diː ˈvaxt am ˈʁaɪn], The Watch on the Rhine) is a German patriotic anthem.The song's origins are rooted in the historical French–German enmity, and it was particularly popular in Germany during the Franco-Prussian War, World War I, and World War II.
In the English version of this "antihymn", the second stanza refers ambiguously to "people" and "other folk", but the German version is more specific: the author encourages Germans to find ways to relieve the people of other nations from needing to flinch at the memory of things Germans have done in the past, so that people of other nations can ...