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Phonograph cylinders (also referred to as Edison cylinders after its creator Thomas Edison) are the earliest commercial medium for recording and reproducing sound.Commonly known simply as "records" in their heyday (c. 1896–1916), a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can ...
Made from a nitrocellulose compound developed at the Edison laboratory—though occasionally employing Bakelite in its stead and always employing an inner layer of plaster—these cylinder records were introduced for public sale in October 1912. The first release in the main, Popular series was number 1501, and the last, 5719, issued in October ...
Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877.After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade.
Blue Amberol Records was the trademark name for cylinder records manufactured by Thomas A. Edison, Inc. in the US from 1912 to 1929. They replaced the 4-minute black wax Amberol cylinders introduced in 1908, which had replaced the 2-minute wax cylinders that had been the standard format since the late 1880s.
Early recordings were imported from masters recorded in the United States until a recording studio in Montreal was established in 1906. The Berliner name as a record label lasted longest in Canada. In 1918, Emile Berliner's son Herbert Berliner left Berliner Gram-O-Phone and founded the Compo Company . [ 12 ]
The first development in multitracking was stereo sound, which divided the recording head into two tracks. First developed by German audio engineers ca. 1943, two-track recording was rapidly adopted for modern music in the 1950s because it enabled signals from two or more microphones to be recorded separately at the same time (while the use of ...
That is, the same ""matrix"" number was first allocated to early 1890s cylinders (with a specific selection), then to a proper Master Cylinder that re-recorded the same selection, and then for the later selections that were recorded on the same Master Cylinder after its musical content became obsolete or damaged and had to be reshaved (which ...
In 2003, the Institute for Museum and Library Services funded the Archive with a grant for $205,000 and between 2003 and 2005 UCSB library staff cataloged and digitized over 6,000 of the cylinder recordings in the library's collection using an archéophone, a modern electrical cylinder player designed in France by Henri Chamoux. The website was ...