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Magoun thought that formulaic poetry was necessarily oral in origin. That sparked a major and ongoing debate over the extent to which Old English poetry, which survives only in written form, should be seen as, in some sense, oral poetry. The oral-formulaic theory of composition has now been applied to a wide variety of languages and works.
In addition to verbal formulas, many themes have been shown to appear among the various works of Anglo-Saxon literature. The theory proposes to explain this fact by suggesting that the poetry was composed of formulae and themes from a stock common to the poetic profession, as well as literary passages composed by individual artists in a more ...
Nature, the present elements/physical features and suggested elements/concepts and ideas; Function, the action it communicates; Evaluation, assessed rhetorically; Foss, who acknowledges visual rhetoric, demonstrates that composition studies has to consider other definitions and incorporations of language. [citation needed]
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Radical expressivists Charles Deemer and William Lutz also suggest that English composition should be taught as and considered a sort of Happening. Deemer locates the problem with the composition course in its lack of subject content and asserts that writing demands inspiration that can be attained from teacher-induced Happenings, as "clear ...
Composition studies (also referred to as composition and rhetoric, rhetoric and composition, writing studies, or simply composition) is the professional field of writing, research, and instruction, [1] focusing especially on writing at the college level in the United States.
Oral literature is especially rich in chiastic structure, possibly as an aid to memorization and oral performance. In Homer's Iliad and Odyssey, for instance, Cedric Whitman finds chiastic patterns "of the most amazing virtuosity" that simultaneously perform both aesthetic and mnemonic functions, permitting the oral poet easily to recall the basic structure of the composition during ...
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.