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John 15:1–17 reads in the Douay–Rheims Bible: [15] I am the true vine; and my Father is the husbandman. Every branch in me, that beareth not fruit, he will take away: and every one that beareth fruit, he will purge it, that it may bring forth more fruit. Now you are clean by reason of the word, which I have spoken to you. Abide in me, and I ...
John 15 is the fifteenth chapter in the Gospel of John in the New Testament section of the Christian Bible. It is part of what New Testament scholars have called the ' farewell discourse ' of Jesus. It has historically been a source of Christian teaching and Christological debate and reflection, and its images (particularly of Jesus as the vine ...
The frescoes include Paul, Peter, John and Andrew, serving as a funerary devotional image, to protect the occupants of the tomb. [8] One of the other earliest depictions is in the house church of Dura-Europos , in the baptistery room, from the 3rd or 4th century. [ 9 ]
The category Wikipedia featured pictures shows the thumbnails listed alphabetically. Group 01 - Group 02 - Group 03 - Group 04 - Group 05 - Group 06 Group 07 - Group 08 - Group 09 - Group 10 - Group 11 - Group 12
Healing Peter's mother-in-law by John Bridges, 19th century. The healing of the mother of Peter's wife is one of the miracles of Jesus in the Gospels, reported in Matthew 8:14–15, Mark 1:29–31, and Luke 4:38–39. [1]
In 1972, Mapplethorpe met art curator Sam Wagstaff, who would become his mentor, lover, [14] patron, and lifetime companion. [15] In the mid-1970s, Wagstaff acquired a Hasselblad medium-format camera and Mapplethorpe began taking photographs of a wide circle of friends and acquaintances, including artists, composers, and socialites.
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[15] [16] Before that, a portrait was commissioned by the National Portrait Gallery at the Smithsonian Institution . Years following its initial unveiling, the artist of the portrait, Nelson Shanks , revealed he added a subtle shadow on the left-hand side of the painting to reference the Monica Lewinsky scandal and how it was, "a metaphor in ...