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The 13th-century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [23]
The Fallen Angel (French: L'Ange déchu) is a painting by French artist Alexandre Cabanel. It was painted in 1847, when the artist was 24 years old, and depicts the Devil after his fall from Heaven. [ 1 ]
In the ninth thesis of his 1940 essay “Theses on the Philosophy of History”, Benjamin describes Angelus Novus as an image of the angel of history: A Klee painting named Angelus Novus shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are ...
[115] The 13th century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [116]
The Trinity was painted on a vertically aligned board. It depicts three angels sitting at a table. On the table, there is a cup containing the head of a calf. In the background, Rublev painted a house (supposedly Abraham's house), a tree (the Oak of Mamre), and a mountain (Mount Moriah).
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According to al-Basri, angels are infallible. [7] Thus, he argues, Satan could not have been an angel. [8] Instead, the verse is supposed to mean that Satan is one of the jinn, distinct from the angels. [2] According to ibn Abbas, the term is interpreted as jinān, meaning that Satan was "an inhabitant of paradise" (i.e. an angel). [9]