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The Heresy of Paraphrase" is the name of the paradox where it is impossible to paraphrase a poem because paraphrasing a poem removes its form, which is an integral part of its meaning. Its name comes from a chapter by the same name in Cleanth Brooks 's book The Well-Wrought Urn .
The eleventh, famous chapter, entitled "The Heresy of Paraphrase," is a polemic against the use of paraphrase in describing and criticizing a poem. This chapter is followed by two appendices: "Criticism, History, and Critical Relativism" and "The Problem of Belief."
A paraphrase can be introduced with verbum dicendi—a declaratory expression to signal the transition to the paraphrase. For example, in "The author states 'The signal was red,' that is, the train was not allowed to proceed," the that is signals the paraphrase that follows. A paraphrase does not need to accompany a direct quotation. [20]
"Lunar Paraphrase" is a poem from the second (1931) edition of Wallace Stevens's first book of poetry, Harmonium. One of Stevens's "war poems" from "Lettres d'un Soldat" (1918), it is in the public domain.
After paraphrasing Matthew 18:3, [2] Guiteau proceeded to read the poem from a piece of paper in a style described as both "sad and doleful" [3] as well as "high pitched" and "childlike". [4] Guiteau had requested an orchestra to play behind him as he recited his poem, but his request was denied. [5]
The poet John Hollander cited "The Red Wheelbarrow" as a good example of enjambment to slow down the reader, creating a "meditative" poem. [14] The editors of Exploring Poetry believe that the meaning of the poem and its form are intimately bound together. They state that "since the poem is composed of one sentence broken up at various ...