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Sculpture of the Ancient Tamil Siddhar Agastyar who is traditionally believed to have chaired the first Tamil Sangam in Madurai. The Sangam literature (Tamil: சங்க இலக்கியம், caṅka ilakkiyam), historically known as 'the poetry of the noble ones' (Tamil: சான்றோர் செய்யுள், Cāṉṟōr ceyyuḷ), [1] connotes the early classical Tamil ...
S. No. Poet Name in Tamil Contribution to the Sangam literature (verse numbers in parentheses) Notes 1: Anonymous poets: பெயர் தெரியாத புலவர்கள் பாடியவை
The Ten Idylls, known as Pattuppāṭṭu (Tamil: பத்துப்பாட்டு) or Ten Lays, is an anthology of ten longer poems in the Sangam literature ...
In 1926, P. Varadarajulu Naidu, who was conducting a Tamil news-cum-views weekly 'Tamil Nadu' started a daily with the same name. Its forceful and colloquial style gained it a wide readership but after the paper failed to take sides with the 1930 Civil Disobedience Movement, the Congress Party decided to bring out a new Tamil daily – India ...
Kalladar hailed from a town called Kalladam (hence the name 'Kalladar'), which is in the modern-day Kerala. [2] [3] Rulers sung by Kalladar include Ambarkilan Aruvandhai, Mullur king Kari, Ori, Akdhai, Pandiyan Thalaiyalangaanatthu Seruvendra Neduncheliyan, Venkatamalai ruler Kalvar Koman Pulli, Poraiyatru Kilan Periyan, Nannan, and Kalangaai Kanni Narmudicheral. [4]
Cilappatikāram also referred to as Silappathikaram or Silappatikaram, is the earliest Tamil epic. It is a poem of 5,730 lines in almost entirely akaval (aciriyam) meter and is a tragic love story of a wealthy couple, Kannaki and her husband Kovalan. [13]
His name was prefixed with "Arisil" since he lived on the banks of river Arisil near Kumbakonam. [2] He was from the period of the last seven great patrons of the Tamil land. The King Thagadur Erindha Perum Cheral Irumporai bestowed 900,000 kaanam as prize upon him for writing ten verses of the Pathitrupatthu, and also made him a minister in ...
This type of information is rarely found in other classical Tamil literature. An epilogue ( patikams )is at the end of each ten. The theme, rhythm, metre, name and epilogues were added by the authors of the patikams at a later date, before the commentaries were written; the patikams , as well as the verses, have been annotated.