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Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The fireplace in the library, flanked by window seats, contains Grueby tile as well, though in a reddish color. [3] Another, but smaller, fir pocket door leads to the sunroom. Windows and glass doors take up most of the southern and western walls. The doors contains a muntin bar, with a large diamond in the top third of the glass pane. A ...
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
Boiseries became popular in the latter part of the 17th century in French interior design, becoming a de rigueur feature of fashionable French interiors throughout the 18th century. Such panels were most often painted in two shades of a chosen color or in contrasting colors, with gilding reserved for the main reception rooms. [ 5 ]
A large, brick fireplace was framed by two windows that included quotes from Shakespeare. The second floor had bedrooms that each had adjoining sitting rooms and sewing rooms. The wall coverings had a leather or metal appearance, known as Lincrusta wall coverings. The ceilings had mouldings, stencils, and faux finishes.
Long title: An Act to transfer to the Crown Apsley House and the site, forecourt and garden thereof and certain chattels formerly belonging to the first Duke of Wellington; to provide for the use of Apsley House partly as a museum for the preservation and exhibition of the said chattels and other chattels associated with the said first Duke or his times and for other public purposes, and ...
'Architecture of Steel and Concrete' was the title of a 1919 exhibition of Mendelsohn's sketches at Paul Cassirer's gallery in Berlin. Brick was used in a similar fashion to express the inherent nature of the material. Josef Franke produced some characteristic expressionist churches in the Ruhrgebiet in the 1920s. Bruno Taut used brick as a way ...
A table given a distressed finish, with a historical paint colour, edges that have been sanded down to expose the wood, and vintage hardware attached to the drawers. Distressing (or weathered look) in the decorative arts is the activity of making a piece of furniture or object appear aged and older, giving it a "weathered look".