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It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella , predominantly light in style, and generally began as either copies or direct translations of Italian models.
Download as PDF; Printable version; ... Pages in category "English madrigals" ... The Oxford Book of English Madrigals; A. April is in my mistress' face; F.
ISBN 1-56159-174-2; The University of Reading Library featuring: Thomas Morley, A Plaine and Easie Introduction to Practicall Musicke. London, 1597 ; Philip Ledger (ed) The Oxford Book of English Madrigals OUP 1978; The Madrigal, Jerome Roche, 1972. ISBN 0-09-113260-6; Shaw, Watkins (1965). "Thomas Morley of Norwich". The Musical Times. 106 (1471).
First Set of English Madrigals of three, four, five, and six parts, apt both for Viols and Voices ; with a mourning song, in memory of Prince Henry. Newly composed by John Ward. 1613 Edition: ed Fellowes, EM 19 1922, 1968 (rev). Two of Ward's madrigals are included in The Oxford Book of English Madrigals.
The Triumphs of Oriana is a book of English madrigals, compiled and published in 1601 by Thomas Morley, which first edition [1] has 25 pieces by 23 composers (Thomas Morley and Ellis Gibbons have two madrigals) for 5 and 6 voices. The first 14 madrigals are for 5vv, the last 11 for 6vv. It was said to have been made to honour Queen Elizabeth I.
Though principally an all-male group it has been supplemented with female voices where appropriate (e.g. for the 1978 recordings OUP 151/2 under Philip Ledger, to accompany The Oxford Book of English Madrigals)
Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school.