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The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella , predominantly light in style, and generally began as either copies or direct translations of Italian models.
It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
Artistically, the madrigal was the most important form of secular music in Renaissance Italy, and reached its formal and historical zenith in the later-16th century, when the form also was taken up by German and English composers, such as John Wilbye (1574–1638), Thomas Weelkes (1576–1623), and Thomas Morley (1557–1602) of the English ...
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John Farmer (c. 1570 – c. 1601) was an important composer of the English Madrigal School. [1] He was born in England during the Elizabethan period, and was also known by his skillful settings for four voices of the old church psalm tunes. [2]
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of the Renaissance.He was one of the foremost members of the English Madrigal School.
John Bennet (c. 1575 – after 1614) was a composer of the English Madrigal School. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599. Little is known for certain of Bennet's life, but his first collection of madrigals was published in 1599.
25 December 1583 – 5 June 1625) was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625.