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Futurism has produced several reactions, including the literary genre of cyberpunk—in which technology was often treated with a critical eye—whilst artists who came to prominence during the first flush of the Internet, such as Stelarc and Mariko Mori, produce work which comments on Futurist ideals and the art and architecture movement Neo ...
Media in category "Futurist paintings" The following 10 files are in this category, out of 10 total. Ardengo Soffici, 1912-13, Deconstruction of the Planes of a Lamp, oil on panel, 45 x 35 cm, Estorick Collection, London.jpg 2,970 × 3,792; 3.7 MB
Cubo-Futurism can be said to have ended with the 0,10 Exhibition of 1915–1916, also organised by Puni, and fuelled by the rivalry between Malevich and Tatlin; afterwards, most of the participants of Cubo-Futurism began to direct their energies to other styles of writing or painting, for example Malevich's new art movement Suprematism, which ...
In 2014, art critic Robert C. Morgan declared Dynamism of a Dog on a Leash, along with Gino Severini's paintings Blue Dancer and Dynamic Hieroglyphic of the Bal Tabarin, to be "probably the most elegant and accurate works ever painted in the Futurist tradition." He credits these works with "moving status into kinesis, stillness into motion, and ...
By 1912 it had become a headline painting for the exhibition traveling Europe, the introduction to Futurism. It was sold to the great pianist, Ferruccio Busoni for 4,000 lire that year, [ 6 ] and today is frequently on prominent display at the Museum of Modern Art in New York, at the entrance to the paintings department.
The Street Enters the House (La Strada Entra Nella Casa) is a 1912 oil-on-canvas painting by Italian artist Umberto Boccioni.Painted in the Futurist style, the work centres on a woman on a balcony in front of a busy street, with the sounds of the activity below portrayed as a riot of shapes and colours.
More typically Futurist is his major work, the Velocity Triptych of 1925. Dottori was one of the principal exponents of Futurist sacred art. His painting of St. Francis Dying at Porziuncola has a strong landscape element and a mystical intent conveyed by distortion, dramatic light and colour.
Goncharova was an early Russian developer of Cubo-Futurism, combining characteristics of both Futurism and Cubism in Cyclist. Cubist fragmentation, for example, is used to indicate the cyclist's speed. [2] Movement is also portrayed in the work's Futurist elements, such as its repetition of forms and dislocation of contours. [1]