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The rider, a young man, is giving his message to his audience, and seems to be saying that there is another world that all should know about. But the horse is just as important as the man. His is, in fact, more conscious than the man, and has his feet firmly planted on the ground, one hoof pointing to the centre of the earth.
The evolution of the horse and rider as a subject in Marini's works reflects the artist's response to the changing context of the modern world. This theme appeared in his work in 1936. At first the proportions of horse and rider are slender and both are "poised, formal, and calm." By the next year the horse is depicted rearing and the rider ...
The sculpture is titled Business Man on Horse. [23] The statue do not portray a specific individual. — Windsor, Ontario: William McElcheran Previously located on the grounds of Windsor Sculpture Park, although acts of vandalism against the sculpture led to its removal. The sculpture is titled Business Man on Horse. [24] The sculpture does not ...
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The sculpture's creation is dated to the early 7th century BC. The sculpture is 45.5 cm high and 47 cm long. It was discovered in an archaic fountain under the mosaic floor of the House of Nero. It is heavily dented, but almost entirely intact; only the ends of the legs and the tail have been broken off. The curved tail had been snapped off ...
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Statue on pedestal: Bronze and limestone: Grade II: Q26571319 [2] Cloaked Horseman Narrow Lewins Mead, Bristol: 1984: David Backhouse Statue: Bronze resin: Horse and Man Brunel House, St Georges Road, Bristol: 1984: Stephen Joyce Sculpture group: Bronze resin: Located in the courtyard of the former Royal Western Hotel, now student accommodation.
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