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The term post-disco is a referral to the early to late 1980s era movement of disco music into more stripped-down electronic funk influenced sounds; post-disco was also predecessor to house music. This chronological list contains examples of artists described as post-disco .
Sampling is one of the biggest aspects of hip hop and rap, and these types of records provide breaks for artists to use in their songs. [15] Examples of rare groove samples, such as Eazy-E's "Eazy Duz It" [16] (which samples the Detroit Emeralds, Bootsy Collins, Funkadelic, Isley Brothers, Sly and the Family Stone, the Temptations and even Richard Pryor), can be found in modern hip hop ...
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. [1] It often includes disco strings, though not consistently.
Brit funk (or Britfunk) is a musical style that has its origins in the British music scene of the late 1970s and which remained popular into the 1980s.It mixes elements from jazz, funk, soul, urban dance rhythms and pop hooks.
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century.
Rhythmic oldies is a radio format that concentrates on the rhythmic, R&B, disco, or dance genres of music. Playlists can span from the 1960s through the 2000s and, depending on market conditions, may be designed for African-American or Hispanic audiences.
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...
The term "Euro-disco" was first used during the mid-1970s to describe the non-UK based disco productions and artists such as D.D. Sound, West Germany groups Arabesque, [3] Boney M., [4] Dschinghis Khan and Silver Convention, the Munich-based production trio Giorgio Moroder, Donna Summer and Pete Bellotte, [5] the Italian singer Gino Soccio, [6] French artists Amanda Lear, Dalida, Cerrone, Hot ...