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YouTube Creator Awards, commonly known as YouTube Play Buttons or YouTube Plaques, are a series of awards from the American video platform YouTube that aim to recognize its most popular channels. They are based on a channel's subscriber count but are offered at the sole discretion of YouTube.
Sosumi is an alert sound introduced by Apple sound designer Jim Reekes in Apple Inc.'s Macintosh System 7 operating system in 1991. The name is derived from the phrase "so, sue me!" because of a long running court battle with Apple Corps, the similarly named music company, regarding the use of music in Apple Inc.'s computer products.
The channel input strips are usually a bank of identical monaural or stereo input channels arranged in columns. Typically, each channel's column contains a number of rotary potentiometer knobs, buttons, and faders for controlling the gain of the input preamplifier, adjusting the equalization of the signal on each channel, controlling routing of the input signal to other functional sections ...
A puzzling flurry of apparent drone sightings along the US east coast is "nothing nefarious", says President Joe Biden. The sightings in recent weeks have occurred in New Jersey and a number of ...
The “spacing effect” refers to a phenomenon whereby learning, or the creation of a memory, occurs more effectively when information, or exposure to a stimulus, is spaced out.
It may sound obvious, but hear us out. If your body isn’t getting the fuel it needs, you’re going to feel compelled to eat. And if you’ve skipped a meal or you’re dieting and depriving ...
Moog wired a doorbell button to the synthesizer and used a capacitor to store and slowly release voltage produced from hitting a key. He refined the design to remove the need to push a separate button with every keypress, with two switches on every key: one to produce the control voltage determining pitch and the other to trigger the envelope ...
The second block of recording sessions for Between the Buttons began on 8 November at the newly opened Olympic Sound Studios in Barnes, London, alternating between Olympic and Pye Studios until 26 November. During this time, the bulk of the album was completed, including vocal and other overdubs on the previously recorded backing tracks and mixing.