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A 70 mm film strip with a human hand for scale. 70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. [1] As used in cameras, the film is 65 mm (2.6 in) wide.
It is the standard development process for all modern motion picture color print developing, including Fuji and other non-Kodak film manufacturers. All film stocks are specifically created for a particular development process, thus ECP-1 film could not be put into an ECP-2 development bath since the designs are incompatible.
Kodak Panchromatic Separation Film c. 1999 2023 [32] ESTAR-based version and 35 mm only too. 5242/7242 Kodak Vision Color Intermediate Film c. 1998 no: Process ECN-2. 2242/3242 Kodak Vision Color Intermediate Film c. 1998 no: ESTAR-based version of 5242. Process ECN-2. Number Name Intro. Disc.? Notes 5254/2254 Kodak Vision3 Color Digital ...
Keykode (also written as either KeyKode or KeyCode) is an Eastman Kodak Company advancement on edge numbers, which are letters, numbers and symbols placed at regular intervals along the edge of 35 mm and 16 mm film to allow for frame-by-frame specific identification. It was introduced in 1990.
The following movies were filmed using 65mm or 70mm negative stock. Titles are followed by the photographic process(es) employed. Releases produced in Todd-AO, Todd-70, Super Panavision 70 (also known as Panavision 70), Panavision System 65 (also known as Panavision Super 70), Dimension 150, Arri 765 and Superpanorama 70 (also known as MClS 70 and MCS Superpanorama 70) were photographed with ...
KS (Kodak Standard) perforations were introduced in the 1920s to improve the life of projected film stock by eliminating the sharp corners which were prone to tearing. [2] [1] and thus are occasionally used for high-speed filming, but failed to displace BH perforations for filming operations prior to projection. KS perfs are rectangular with ...
In contrast to the prevalence of digital cinematography in the 2010s, cinematographer John Schwartzman used Panavision cameras with a combination of Kodak 35mm and 65mm film stocks. [ 113 ] [ 196 ] One of the 65mm cameras was previously used in the filming of Stanley Kubrick 's 2001: A Space Odyssey . [ 168 ]
Eastman Kodak introduced their first 35mm color negative stock, Eastman Color Negative film 5247, in 1950. [9] A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.