Search results
Results From The WOW.Com Content Network
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
In Western music, homophony may have originated in dance music, in which a simple and direct rhythmic style was needed for the prescribed bodily movements of individual dances. Homophony and polyphony coexisted in the 1600s and 1700s. Polyphony was the common melody during the Renaissance period.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
The third mazurka of this set has homophonic texture, comparable to the previous one. The piece unfolds with very varied dynamics and half-way through, it changes to the key of E major but changes back to the original key for the last few bars and the coda. It doesn’t follow traditional harmonic progressions (giving it a peculiar sound).
Homorhythm is a condition of homophony. [2] All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture. Homorhythmic texture delivers lyrics with clarity and emphasis. Texture in which parts have different rhythms is heterorythmic or heterometric.
Homophony − in music is a texture in which multiple voices move together in harmony. Homophony (writing) − in a theory of writing systems is one of the forms of phonogram. Homophonic substitution cipher − a cipher that disguises plaintext letter frequencies by homophony: 'e' is given more homophonic ciphertext symbols than 'z'.
Balinese gamelan music often uses complicated variations and alterations of a single melody played simultaneously, called heterophony. In western classical music, composers often introduce an initial melody, or theme, and then create variations.
Boulez defined homophony as "the direct transformation-by-density of monody—still regarded as unitary". [18]) The verses (even-numbered sections) are more linear, and feature passages of varying length that can be cued by the conductor so as to sound all at once or with staggered entrances, with the result being a heterophonic texture. [ 19 ] (