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Georgia O'Keeffe, Drawing No. 2 - Special, charcoal on Fabriano laid paper, 60 x 46.3 cm (23 5/8 x 18 1/4 in.), 1915, National Gallery of Art Charcoal drawings by Georgia O'Keeffe from 1915 represents Georgia O'Keeffe's first major exploration of abstract art and attainment of a freedom to explore her artistic talents based upon what she felt and envisioned. [1]
In 1928, Time magazine wrote of her paintings, "when Georgia O'Keeffe paints flowers, she does not paint fifty flowers stuffed into a dish. On most of her canvases there appeared one gigantic bloom, its huge feathery petals furled into some astonishing pattern of color and shade and line."
It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12] The 22 in × 17 in (56 cm × 43 cm) abstract oil painting is owned by private collectors. [13]
This is an accepted version of this page This is the latest accepted revision, reviewed on 8 February 2025. American modernist artist (1887–1986) For the 2009 film, see Georgia O'Keeffe (film). Georgia O'Keeffe O'Keeffe in 1932, photograph by Alfred Stieglitz Born Georgia Totto O'Keeffe (1887-11-15) November 15, 1887 Sun Prairie, Wisconsin, U.S. Died March 6, 1986 (1986-03-06) (aged 98 ...
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Water-based paint and India ink reverse glass painting 1912 Improvisation 26: Lenbachhaus, Munich 97 x 107.5 1912 Improvisation 27 (Garden of Love II) Metropolitan Museum of Art, New York 120.3 x 140.3 1912 Picture with Pince-nez: Musée National d'Art Moderne, Paris 32.5 x 22.5 Water-based paint and India ink reverse glass painting 1912 Sketch ...
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.