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The composition of a picture is different from its subject (what is depicted), whether a moment from a story, a person or a place. Many subjects, for example Saint George and the Dragon , are often portrayed in art, but using a great range of compositions even though the two figures are typically the only ones shown.
Photographic composition techniques are used to set up the elements of a picture. These are the techniques which resembles the way we humans normally see a view Some of the main techniques that are: Simplicity (photography) Symmetrical balance; Asymmetrical balance; Radial balance; Rule of thirds; Leading lines [1]
A 20-year-old college student drowned at Bandstand Promenade in Bandra, Mumbai. She is believed to have been swept away in the high tide. According to the woman's friends, they were taking selfies while standing on the rock, close to the Bandra–Worli Sea Link (BWSL). "The girls were standing 50 metres away from the shore when the water ...
Image credits: wholesomecollegememes There’s often debate about whether or not it’s truly worth it to go to college nowadays. Especially considering the fact that over half of college students ...
Visual rhetoric or “visual modes of representation” has been present in composition (college writing) courses for decades but only as a complementary component “for writing assignments and instructions” since it was considered as “a less sophisticated, less precise mode of conveying semiotic content than written language.” [3] Nevertheless, many experts in composition studies ...
Five student-athletes have died by suicide recently, putting the onus on the NCAA to better treat mental health among its athletes. (Artur Widak/NurPhoto via Getty Images) (NurPhoto via Getty Images)
Mary Ann Vecchio (born December 4, 1955) is an Italian American respiratory therapist and one of two subjects in the Pulitzer Prize-winning photograph by photojournalism student John Filo during the immediate aftermath of the Kent State shootings on May 4, 1970.
Henri Cartier-Bresson's widely admired Images à la Sauvette (1952) [17] (the English-language edition was titled The Decisive Moment) promoted the idea of taking a picture at what he termed the "decisive moment"; "when form and content, vision and composition merged into a transcendent whole". [18]