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Waldemar Januszczak (born 12 January 1954) is a Polish-British art critic and television documentary producer and presenter. Formerly the art critic of The Guardian , he took the same role at The Sunday Times in 1992, and has twice won the Critic of the Year award.
The Dark Ages: An Age of Light is a four-part documentary television series written, directed, and presented by the British art critic Waldemar Januszczak looking at the art and architecture of the so-called Dark Ages (i.e. Early Middle Ages) that shows it to be an era with advancements contrary to popular perceptions of the period.
Picasso: Magic, Sex, & Death (2001) is a three-episode Channel 4 film documentary series on Pablo Picasso (1881–1973) presented by the artist's friend and biographer John Richardson, and directed by Christopher Bruce or British art critic Waldemar Januszczak, who was also the series director.
”The Birth of the Baroque". Italy – Baroque's origins in Rome and Spanish Naples, including Borromini's architectural work such as San Carlo alle Quattro Fontane, Bernini's fountains, churches like Sant'Andrea al Quirinale and sculptures such as The Ecstasy of St Theresa; Andrea Pozzo's illusionistic work at Sant'Ignazio and Annibale Caracci's The Loves of the Gods; Caravaggio's career in ...
Art critic Waldemar Januszczak reports on the country’s astonishing mission to stop the destruction of its artistic treasures. ‘Don’t Film Any Soldiers, They May Shoot Us’: Inside Ukraine ...
In 2008 Fox and Januszczak co-curated the Statuephilia exhibition at the British Museum; this included work by Damien Hirst, Antony Gormley and Marc Quinn. [ 5 ] In 2014 Fox was chosen as one of Apollo Magazine ' s "40 Under 40" – the "most talented and inspirational young people who are driving forward the art world today".
Art critic Waldemar Januszczak wrote on 7 February 2010: The fact is, Theosophy... is embarrassing. If there is one thing you do not want your hardcore modernist to be, it is a member of an occult cult... Theosophy takes art into Dan Brown territory. No serious student of art history wants to touch it. [205]
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