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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...
Some hymns to Mary are also included in the Evangelical Lutheran Worship hymnal, e.g. hymn number 251 is "My Soul Proclaims Your Greatness", which is based on the Magnificat and hymn 419 is "For All the Faithful Women" in which the first stanza includes: "We honor faithful Mary, fair maiden, full of grace".
The Song was accepted into the Jewish canon of scripture in the 2nd century CE, after a period of controversy in the 1st century. This period of controversy was a result of many rabbis seeing this text as merely "secular love poetry, a collection of love songs gathered around a single theme", [35] and thus not worthy of canonization. In fact ...
The most complete text of the Gospel of Mary is contained in the Berlin Codex, but even so, it is missing six manuscript pages at the beginning of the document and four manuscript pages in the middle. [17] As such, the narrative begins in the middle of a scene, leaving the setting and circumstances unclear.
Illumination with buisine players from the E Codex (Bl-2, fol. 286R). The Cantigas de Santa Maria (Galician: [kanˈtiɣɐz ðɪ ˈsantɐ maˈɾi.ɐ], Portuguese: [kɐ̃ˈtiɣɐʒ ðɨ ˈsɐ̃tɐ mɐˈɾi.ɐ]; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile El Sabio (1221–1284).
The Loreto text had, however, the good fortune to be adopted in the famous shrine, and thus become known more than any other, to the many pilgrims who flocked there during the 16th century. The text was spread across Christendom, and finally received ecclesiastical sanction. [4] Twelve invocations refer to Mary as Mother; six extol her as Virgin.
The Seven Joys of Mary (1480), Hans Memling "The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe.