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Nr. 1 in F minor (played by Wolfram Syré) No. 2 in C minor No. 3 in A major No. 4 in B-flat major No. 5 in D major No. 6 in D minor. The six sonatas are: No. 1 in F minor (Allegro – Adagio – Andante recitativo – Allegro assai vivace) No. 2 in C minor (Grave – Adagio – Allegro maestoso e vivace – Fugue: Allegro moderato)
Op. 21, A Midsummer Night's Dream, Overture in E major for orchestra (1826) (MWV P 3); Op. 22, Capriccio Brillant in B minor for piano and orchestra (1832) (MWV O 8); Op. 23, Kirchenmusik/3 Sacred pieces for soloists, choir, and organ/ensemble (1830)
Op. 78 Symphony No. 3 (Saint-Saëns) (1886) Op. 99 Preludes and Fugues for organ (1894) Prelude and Fugue in E flat major, no. 3. Op. 101 Fugatos from the organ works: Fantasia in D flat major for organ (1866) Op. 109 Preludes and Fugues for organ (1898) Salieri, Antonio. Concerto for organ and orchestra in C major (1773) Schumann, Robert
A few days later Mendelssohn and his companion visited the western coast of Scotland and the island of Staffa, which in turn inspired the composer to start the Hebrides. [7] After completing the first version of the Hebrides, Mendelssohn continued to work on his initial sketches of what would become Symphony No. 3 while touring Italy. [3]
Drei Motetten (Three motets), Op. 39, is a collection of three sacred motets for women's voices and organ by Felix Mendelssohn. Composed in 1830 for different liturgical occasions and in different scoring, they were published together in 1838.
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