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Verbatim (1996) Like a Melody, No Bitterness (1998) Verbatim is the fifth studio album by Bob Ostertag, released in May 1996 by Rastascan Records. [1] [2] [3] Reception
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Material (music or sounds) is stored on an album in sections termed tracks. A music track (often simply referred to as a track) is an individual song or instrumental recording. The term is particularly associated with popular music where separate tracks are known as album tracks; the term is also used for other formats such as EPs and singles
Verbatim means word for word. It may refer to: Verbatim, a 1996 album by Bob Ostertag "Verbatim" (song), a 2015 song by Blackbear; Verbatim (brand), a brand of storage media and flash memory; Verbatim (horse), an American racehorse; Verbatim, edited by Erin McKean; Verbatim theatre, a form of documentary theatre
16 mm film showing a sound track at right [1]. A soundtrack [2] is a recorded audio signal accompanying and synchronised to the images of a book, drama, motion picture, radio program, television program, or video game; colloquially, a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that ...
Opening section of a song or tune. It can be as short and simple as a single chord (often the I or V7 chord) or a two bar turnaround played by a keyboardist or guitarist. On the other hand, an intro can be a four bar, eight bar, or even longer sequence played by the full ensemble which uses one or more key melodic ideas or riffs from the song.
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative , aria , and arioso .
Pseudo-Latin is sometimes used in new-age music, especially when it imitates Gregorian chant or other choral church music, e. g. "Ameno" by Era or "Adiemus" by Adiemus. Franco Godi, in songs like Parapapa Perepepe, on his "Signor Rossi" album, perhaps an Italian sounding variation of the name of the Icelandic band Sigur Rós.