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Green Violinist is a 1923–24 painting by artist Marc Chagall that is now in the permanent collection of the Solomon R. Guggenheim Museum in New York City. [1] The work depicts a fiddler as the central figure who appears to be floating or dancing above the much smaller rooftops of the misty gray village below.
The Green Donkey (L'Ane vert) 1911: London, Tate Modern: Image online [40] The Holy Coachman (Le saint voiturier) 1911 to 1912: Private collection Image online [41] [42] Russia. Asses and Others. 1911 to 1912: Paris, Musée National d'Art Moderne: Image online [43] [44] The Violinist: 1911 to 1914: Düsseldorf, Kunstsammlung Nordrhein-Westfalen ...
Marc Chagall [a] (born Moishe Shagal; 6 July [O.S. 24 June] 1887 – 28 March 1985 [b]) was a Russian and French artist. [c] An early modernist, he was associated with the École de Paris, as well as several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art ...
The writers and Robbins considered naming the musical Tevye, before landing on a title suggested by various paintings by Marc Chagall (Green Violinist (1924), Le Mort (1924), The Fiddler (1912)) that also inspired the original set design. Contrary to popular belief, the "title of the musical does not refer to any specific painting".
La Mariée (French for "The Bride") is a 1950 painting on canvas, measuring 68×53 cm, by Belarusian-French artist Marc Chagall. It is held in a private collection in Japan. La Mariée was prominently featured in the 1999 film Notting Hill.
In the foreground is a glowing tree held in the man's dark hand. The background features a collection of houses next to an Orthodox church, and an upside-down female violinist in front of a black-clothed man holding a scythe. The green-faced man wears a necklace with St. Andrew's cross.
Writing in the Saturday Review, Judith Crist stated in that Homage to Chagall, "the filmmaker has made magical blend of sight and sound that transcends the screen in a triumphant tribute to humanism." Crist continues that Homage to Chagall "can be seen again and again, as it should. So masterly a homage to a master is a rare and wonderful ...
File:Marc Chagall, 1911, To My Betrothed, gouache, watercolor, metallic paint, charcoal, and ink on paper, mounted on cardboard, 61 x 44.5 cm, Philadelphia Museum of Art.jpg; File:Marc Chagall, 1911, Trois heures et demie (Le poète), Half-Past Three (The Poet), oil on canvas, 195.9 x 144.8 cm, Philadelphia Museum of Art.jpg