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Every time a movie, TV show or commercial wants to underline the jaw-dropping impact of a hot babe or sleek auto, that synth-drum starts popping and that deep voice rumbles, 'Oh yeah…". [ 18 ] A 2014 article on The Dissolve website, suggests the song is used to metaphorically represent lust (in various forms) and cocaine . [ 15 ]
The Deep Note was partially previewed on the opening track of the 1983 album The Digital Domain: A Demonstration, where it was included among sound effects that were combined with the Deep Note itself. The Deep Note debuted later that same year at the premiere of Return of the Jedi in LA. [2]
Recording took place from mid-1983 to mid-1984 at the band's Yello Studio on the shore of Lake Zurich.Blank had purchased two new synthesizers in 1983, a Yamaha DX7 and a Roland JX-3P, but the album was mostly written and created using the equipment he already owned, a Fairlight CMI Series II sampler along with an ARP Odyssey synthesizer, the Linn LM-1 and Oberheim DMX drum machines, a Roland ...
Of the robot voice effects listed here, this one requires the least resources, since delay units are a staple of recording studios and sound editing software. As the effect deprives a voice of much of its musical qualities (and has few options for sound customization), the robotic delay is mostly used in TV/movie applications.
A late 1990s house sound developed in France. Inspired by the '70s and '80s funk and disco sounds. Mostly features a typical sound "filter" effect and lower bpm. Funky house Funky house as it sounds today first started to develop during the late 1990s. It can again be sub-divided into many other types of house music.
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BRAAAM is a loud, low sound typically produced using real or synthesized brass instruments.One of the best-known examples also involved a prepared piano.Seth Abramovitch of The Hollywood Reporter described the sound as "like a foghorn on steroids" which is "meant to impart a sense of apocalyptic momentousness". [3]
"Oh my God! Descending to the 13th floor, 14, 16, we’re on the 11th floor, descending to the 12th floor. Oh my God! Descending to the 13th floor, 14, 16, we’re on the 11th floor, descending to the 12th floor" [42] Occurs at the very end of the song, after the breakdown. The message is more noticeable on the a cappella version of the song ...