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Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.
La Vita Nuova (pronounced [la ˈviːta ˈnwɔːva]; modern Italian for "The New Life") or Vita Nova (Latin and medieval Italian title [1]) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse.
a life done before: The phrase denotes a previous life, generally believed to be the result of reincarnation. vita, dulcedo, spes: Mary, [our] life, sweetness, [and] hope: Motto of the University of Notre Dame, Indiana, United States, which is derived from the Roman Catholic hymn to the Blessed Virgin Mary titled Salve Regina. vita incerta ...
The first formal biography of Dante was the Vita di Dante (also known as Trattatello in laude di Dante), written after 1348 by Giovanni Boccaccio. [71] Although several statements and episodes of it have been deemed unreliable on the basis of modern research, an earlier account of Dante's life and works had been included in the Nuova Cronica of ...
While most of these symbols reference earthly existence (books, scientific instruments, etc.) or the transience of life and death (skulls, soap bubbles) some symbols used in the vanitas paintings carry a dual meaning: the rose refers as much to the brevity of life as it is a symbol of the resurrection of Christ and thus eternal life. [12] This ...
Vanitas (1646) by Philippe de Champaigne. Vanitas, also known as Allegory of Human Life or Still Life with a Skull, is an oil on panel painting attributed to Philippe de Champaigne, from 1646. It is held in the musée de Tessé , in Le Mans, which bought it at a public auction in 1884. [1] [2]
Beatrice "Bice" di Folco Portinari [1] (Italian: [beaˈtriːtʃe portiˈnaːri]; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine Comedy (La Divina Commedia), Paradiso, and during the ...
While most of the symbols used in vanitas paintings refer to earthly existence (books, scientific instruments, etc.) and pleasures (pipes and other smoking utensils) or the transience of life and death (skulls, soap bubbles, empty shells), some of the symbols carry a double meaning: a rose or an oar of grain refers as much to the brevity of ...