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"The Man That Got Away" is a torch song written for the 1954 version of A Star Is Born. The song, with music by Harold Arlen and lyrics by Ira Gershwin, is performed in the film by Judy Garland. "The Man That Got Away" was ranked #11 by the American Film Institute on the AFI's 100 Years...100 Songs list.
"The Man that Got Away" (Harold Arlen) – 6:00 " They Can't Take That Away from Me " – 3:29 All lyrics by Ira Gershwin , all music by George Gershwin , other composers noted.
"The Man That Got Away" (Harold Arlen, Ira Gershwin) – 4:16 " I Gotta Right to Sing the Blues " (Arlen, Ted Koehler ) – 3:16 " Miss Otis Regrets " (Porter) – 3:03
The typewritten lyrics accounted for one-third of the sales, totaling $508,000. The sheets included three drafts of Dylan’s 1965 song “Mr. Tambourine Man” from his album Bringing It All Back ...
Georgia Gibbs (born Frieda Lipschitz; August 17, 1918 – December 9, 2006) [1] was an American popular singer and vocal entertainer rooted in jazz. Already singing publicly in her early teens, Gibbs achieved acclaim and notoriety in the mid-1950s copying songs originating with the black rhythm and blues community and later became a featured vocalist for many radio and television variety and ...
Kevin Costner’s deadpan reaction to Ryan Reynolds’ joke during Saturday Night Live’s 50th Anniversary Special had the internet bustling with comments. The actors were part of a star-studded ...
"When You Leave That Way You Can Never Go Back" is a song written by Steve Clark and Johnny MacRae. The song—a bittersweet reflection of a condemned inmate's life, looking back at all the bridges he burned and wished could be repaired—was recorded by several country music artists, including Sam Neely, Bill Anderson and the band Confederate Railroad.
As of 2019, the Academy's rules stipulate that "an original song consists of words and music, both of which are original and written specifically for the motion picture.. It must be clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyric and melody, used in the body of the motion picture or as the first music cue in the end credit