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"Ulalume" (/ ˈ uː l ə l uː m /) is a poem written by Edgar Allan Poe in 1847. Much like a few of Poe's other poems (such as "The Raven", "Annabel Lee", and "Lenore"), "Ulalume" focuses on the narrator's loss of his beloved due to her death. Poe originally wrote the poem as an elocution piece and, as such, the poem is known for its focus on ...
James H. Whitty discovered the poem and included it in his 1911 anthology of Poe's works under the title "From an Album". It was also published in Thomas Ollive Mabbott's definitive Collected Works of Edgar Allan Poe in 1969 as "An Acrostic". The poem mentions "Endymion", possibly referring to an 1818 poem by John Keats with that name.
"Eldorado" was one of Poe's last poems. As Poe scholar Scott Peeples wrote, the poem is "a fitting close to a discussion of Poe's career." [6] Like the subject of the poem, Poe was on a quest for success or happiness and, despite spending his life searching for it, he eventually loses his strength and faces death. [6]
Edgar Allan Poe (né Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic who is best known for his poetry and short stories, particularly his tales involving mystery and the macabre.
The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language and supernatural atmosphere. It tells of a distraught lover who is paid a visit by a mysterious raven that repeatedly speaks a single word.
The poem may also mirror Poe's relationship with his foster father John Allan; similar to Poe, Tamerlane is of uncertain parentage, with a "feigned name". [ 23 ] The "other poems", which Poe admitted "perhaps savour too much of egotism; but they were written by one too young to have any knowledge of the world but from his own breast". [ 22 ]
Poe probably had seen the terms used by Sir Walter Scott in his essay "On the Supernatural in Fictitious Composition". [6] Both terms refer to a type of Islamic art used to decorate walls, especially in mosques. These art styles are known for their complex nature. Poe had used the term "arabesque" in this sense in his essay "The Philosophy of ...
The poem uses Poe's frequent theme of "the death of a beautiful woman," which he considered to be "the most poetical topic in the world."[3] The use of this theme has often been suggested to be autobiographical by Poe critics and biographers, stemming from the repeated loss of women throughout Poe's life, including his mother Eliza Poe and his foster mother Frances Allan. [4]