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Poetic closure is the sense of conclusion given at the end of a poem. Barbara Herrnstein Smith's detailed study—Poetic Closure: A Study of How Poems End—explores various techniques for achieving closure. One of the most common techniques is setting up a regular pattern and then breaking it to mark the end of a poem.
In poetry, a couplet (/ ˈ k ʌ p l ə t / CUP-lət) or distich (/ ˈ d ɪ s t ɪ k / DISS-tick) is a pair of successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line ...
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
[1]: 213 Since the form of a poem is an important part of its meaning, that the process of paraphrasing it affects its meaning too much for the paraphrase to be an accurate summary of its meaning. The meaning of the poem is embodied in its sensual aspects of the arrangement, sound, and rhythm of the words, which are not translateable (an ...
Sijo may be narrative or thematic and introduces a situation in line 1, development in line 2, and twist and conclusion in line 3. The first half of the final line employs a "twist": a surprise of meaning, sound, or other device. Sijo is often more lyrical and personal than other East Asian poetic forms, and the final line can take a profound turn.
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain.
Widely considered to be one of his best poems, Keats's "Ode" ends on what many think a sententious note with its proclamation that "Beauty is truth, truth beauty." But Brooks sees this as dramatically appropriate; it is a paradox that cannot be understood except in terms of the entire poem, if we take seriously Keats's metaphor of the urn as a ...
The 2 October 1814 essay examined poetry as either of imagination or of sentiment, and quotes the final lines of the poem as an example of "The extreme simplicity which some persons have objected to in Mr. Wordsworth's poetry is to be found only in the subject and style: the sentiments are subtle and profound.