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The volta (plural: voltas) (Italian: "the turn" or "turning") is an anglicised name for a dance for couples that was popular during the later Renaissance period. This dance was associated with the galliard [ 1 ] and done to the same kind of music.
Samba no pé (literally, "samba in the foot") is a solo dance that is commonly danced impromptu when samba music is played. The basic movement involves a straight body and a bending of one knee at a time. The feet move very slightly - only a few inches at a time. The rhythm is 2/4, with 3 steps per measure. It can be thought of as a step-ball ...
The movement's emphasis on art clashed with the media's need for mass appeal and marketability. Tropicália additionally had an image of sensuality and flamboyance. This was a protest to the reinstated oppression of Brazil's military rule in the 1960s, and an additional cause for media pushback.
This is the main list of dances.It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances.
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This page was last edited on 1 November 2020, at 05:05 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Little is known of the music of Brazil before the area's first encounter with Portuguese explorers on 22 April 1500. During the colonial period, documents detail the musical activities of the major Roman Catholic cathedrals and the parlors of the upper classes, but data about musical life outside these domains are sparse.
Samba (Portuguese pronunciation: ⓘ) is a name or prefix used for several rhythmic variants, such as samba urbano carioca (urban Carioca samba), [1] [2] samba de roda (sometimes also called rural samba), [3] amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.