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Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
"Ständchen" (known in English by its first line "Hark, hark, the lark"), D 889, is a lied for solo voice and piano by Franz Schubert, composed in July 1826 in the village of Währing (now a suburb of Vienna). It is a setting of the "Song" in Act 2, scene 3 of Shakespeare's Cymbeline.
Piano, original 2nd version of S.171a/6; arr. for org/harm as S.672d/4 172a A 61 Harmonies poétiques et religieuses (12): pf 1840–47 Piano, original 1st version of S.173 172a/ 1 A 61/ 1 Elevez-vous voix: pf E major 1840–47 Piano, original 1st version of S.172c, S.173/1 172a/ 2 A 61/ 2 Hymne de la nuit: pf E major 1840–47 Piano, original
Ferruccio Busoni prepared a piano arrangement which was published in 1897 by Breitkopf & Härtel. [3] [4] Alan Walker, Liszt's biographer, said that it "represents one of the pinnacles of twentieth-century virtuosity." [5] Liszt at least once performed his own piano transcription, of which Walter Bache, his student, made an account in 1862 ...
Franz Liszt later transcribed the entire set for solo piano. While staying faithful to Schubert's original, he often changes the piano texture as a way of providing a personal commentary on the text and music. Liszt reordered the songs in the following way: 11, 10, 5, 12, 7, 6, 4, 9, 3, 1, 8, 13, 14 and 2.
Harmonies poétiques et religieuses (Poetic and Religious Harmonies), S.173, is a cycle of piano pieces written by Franz Liszt at Woronińce (Voronivtsi, the Polish-Ukrainian country estate of Liszt's mistress Princess Carolyne von Sayn-Wittgenstein) in 1847, and published in 1853.