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David D. Busch is a photographer and author and publisher of more than 300 books with a total of more than three million copies in print, [1] and thousands of photography- and technology-related articles for Popular Photography, Rangefinder, Professional Photographer, Computer Shopper, and other magazines.
[[Category:Photography user templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Photography user templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
This is an accepted version of this page This is the latest accepted revision, reviewed on 17 February 2025. Art and practice of creating images by recording light For other uses, see Photography (disambiguation). Photography of Sierra Nevada Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically ...
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On Photography won the National Book Critics Circle Award for Criticism for 1977 and was selected among the top 20 books of 1977 by the editors of The New York Times Book Review. In 1977, William H. Gass, writing in The New York Times, said the book "shall surely stand near the beginning of all our thoughts upon the subject" of photography. [3]
Head room can also aid the creator in imposing a certain feeling upon the viewer. Headroom is a way of balancing out a frame. According to Dr. John Suhler in his e-book Photographic Psychology: Image and Psyche, “the eye appreciates the appearance of balance in [an image]. It makes us feel centered, steady, and stable.
Unorthodox family structures yield correspondingly unpredictable drama in “Housekeeping for Beginners,” a vital, febrile multi-character study that further confirms writer-director Goran ...
Positive space is the idea that any part of a photo that includes the subject, stands out from the rest of the photo. It is key component in most photographs that helps convey emotions towards an audience. The technique can illustrate emotions ranging from crowdedness, to power, to chaos, or even to movement in a photo.