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In Old California: 1942: 1991: Republic Pictures [323] In Old Oklahoma: 1943: 1992: Republic Pictures [324] In This Our Life: 1942: 1990: Turner Entertainment [325] Intruder in the Dust: 1949: 1994: Turner Entertainment [326] Invasion of the Body Snatchers: 1956: 1988: Republic Pictures [327] It Came from Beneath the Sea: 1955: 2008: Columbia ...
Since the premiere of NBC Saturday Night at the Movies in September 1961, post-1948 major studio feature films gained a dominant foothold in primetime American TV and, by the mid-1960s, feature films were being broadcast by all three networks in prime time on a nearly-daily basis. Although many of those films were in black-and-white, the ones ...
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The B movie, whose roots trace to the silent film era, was a significant contributor to Hollywood's Golden Age of the 1930s and 1940s. As the Hollywood studios made the transition to sound film in the late 1920s, many independent exhibitors began adopting a new programming format: the double feature.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Title Director Cast Genre Note The Dark at the Top of the Stairs: Delbert Mann: Robert Preston, Dorothy McGuire, Eve Arden, Shirley Knight, Angela Lansbury: Drama: Warner Bros.; from William Inge play
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
Incomplete [B/W only] The Donovan Affair: April 11, 1929 Columbia All-Talkie Film-only The Voice of the City: April 13, 1929 MGM All-Talkie Extant Close Harmony: April 13, 1929 Paramount All-Talkie Extant Thru Different Eyes: April 14, 1929 Fox Film Corporation All-Talkie Silent version only The Charlatan: April 14, 1929 Universal Part-Talkie ...