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Dum Maro Dum (Hindi: दम मारो दम, "Puff, take a puff!") is an Indian Hindi song from the 1971 Bollywood film Hare Rama Hare Krishna. It was sung by Asha Bhosle and chorus. [1] The song was picturized on Zeenat Aman. It was written by Anand Bakshi and composed by Rahul Dev Burman. It has been remixed and sampled by many other artists.
Her Bollywood playback singing career began with Sanjay Leela Bhansali's Devdas for which she received her first National Film Award for Best Female Playback Singer along with Filmfare Award for Best Female Playback Singer and Filmfare RD Burman Award for New Music Talent. She has sung more than 3000 songs in 20 languages and especially 1150 ...
A minimal bedroom studio set-up with 1980s–1990s equipment. Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate stylistic choice.
Name Years active Languages 32Stitches: 2016–present English Alphons Joseph: 2003–present Malayalam, Tamil, Telugu, Kannada, Hindi Ash King: 2009–present
The best known video is a live stream of lo-fi music that has run for several years. The music is either released through the ChilledCow label, or used with permission from the artist. [3] [4] The fact that the music is always live prevents YouTube from putting ads that could cut the stream. [5] The playlist is updated fairly frequently. [6]
Balasubrahmanyam's first work in Hindi films was, in Ek Duuje Ke Liye (1981), [1] for which he received another National Film Award for Best Male Playback Singer. [2] In 1989, Balasubrahmanyam was the playback singer for actor Salman Khan in the blockbuster Maine Pyar Kiya. [3]
Gajendra Verma (born April 20, 1990) is an Indian singer, songwriter, music composer, and sound engineer, known for his contributions to the Indian pop music industry. [2] [3] His debut single, "Emptiness (Tune Mere Jaana)," gained attention in 2010-11, which helped establish his presence as an independent artist in India.
[17] Nikhat Kazmi of The Times of India reviewed the score as, "The music by AR Rahman are stuff classics are made of. Of course, Sadda Haq is the youth anthem by now, but there are so many beautiful tracks in the film, you get heady and stirred." [18] Taran Adarsh for Bollywood Hungama writes, "Music maestro A.R. Rahman's music is ...