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In Irish traditional music, a slide (Irish: sleamhnán) is a tune type in 12 8 akin to, and often confused with, a single jig.Slides are played mostly in the Sliabh Luachra region of Munster province in southwest Ireland, but originate from quadrilles.
In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red). The tenor voice sings G ♯ while the bass sings G ♮ momentarily beneath it, producing the clash of an augmented unison. Ex. 2, typical example of a false relation in the Late Baroque Style. Play ⓘ
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
The slide (Schleifer in German, Coulé in French, Superjectio in Latin) [1] is a musical ornament often found in baroque musical works, but used during many different periods. [1] It instructs the performer to begin two or three scale steps below the marked note and "slide" upward—that is, move stepwise diatonically between the initial and ...
In classical music from Western culture, a diesis (/ ˈ d aɪ ə s ɪ s / DY-ə-siss or enharmonic diesis, plural dieses (/ ˈ d aɪ ə s i z / DY-ə-seez), [1] or "difference"; Greek: δίεσις "leak" or "escape" [2] [a] is either an accidental (see sharp), or a very small musical interval, usually defined as the difference between an octave (in the ratio 2:1) and three justly tuned major ...
The precise meaning of mordent has changed over the years. In the Baroque period, a mordent was a lower mordent and an upper mordent was a pralltriller or schneller.In the 19th century, however, the name mordent was generally applied to what is now called the upper mordent, and the lower mordent became known as an inverted mordent.
Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale . It is used primarily for solos because, when practiced enough, it can be extremely useful when improvising .