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This page was last edited on 14 January 2007, at 11:57 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
[4]: p.81 There are two methods to removing rivets: the 'cut' and 'pull'. The 'cut' method consists of cutting the rivets through the middle with a file and then pulled out. The 'pull' method involves placing a thin blade under the rivet and pushing out any plaster packing. This method uses leverage to pull the rivet from the ceramic piece.
Raku is a unique form of pottery making; what makes it unique is the range of designs that can be created by simply altering certain variables. These variables—which include wax resist, glazes, slips, temperature, and timing [16] —ultimately determine the outcome when firing a piece of clay.
In pottery these are used to produce plastic clay body from a slip. Invariably the output from a press, called filter cakes, are then fed into pugs for de-airing and extrusion. Fine Fireclay A semi-vitreous ceramic used for very large pieces of sanitaryware. Despite the name most formulations do not use fireclay, but all use some chamotte.
Resist dyeing has been very widely used in Asia, Africa, and Europe since ancient times. The earliest extant pieces of resist-dyed fabric were found in Egypt, dating to the 4th century AD. [citation needed] Cloths used for mummy wrappings were sometimes coated with wax, scratched with a sharp stylus, and dyed with a mixture of blood and ashes.