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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
It was used in birth rituals, perhaps to draw a magic circle around the mother and child. Items and symbols such as crosses, crucifixes, silver bullets, wild roses and garlic were believed to ward off or destroy vampires. Peisistratus hung the figure of a kind of grasshopper before the Acropolis of Athens as apotropaic magic. [10]
While ill with pneumonia and unable to fish, he began to carve miniature totem poles. His interest in art was piqued, and he enrolled in the Institute of American Indian Arts in Santa Fe, New Mexico. Since then, Jackson's work has included large totem poles, canoes, carved doors, wood panel clan crests, masks, and jewelry.
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Line art emphasizes form and drawings, of several (few) constant widths (as in technical illustrations), or of freely varying widths (as in brush work or engraving). Line art may tend towards realism (as in much of Gustave Doré 's work), or it may be a caricature , cartoon , ideograph , or glyph .
Kwanusila is a 12.2 meter (40 foot) tall totem pole carved from red cedar. It stands in Lincoln Park at Addison Street just east of Lake Shore Drive in the Lake View neighborhood of Chicago, Illinois. The colorfully painted totems include a grimacing sea monster at the bottom, a man riding a whale above it, and Kwanusila the Thunderbird on top.
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Lamassu at the Iraq Museum, Baghdad.. The goddess Lama appears initially as a mediating goddess who precedes the orans and presents them to the deities. [3] The protective deity is clearly labelled as Lam(m)a in a Kassite stele unearthed at Uruk, in the temple of Ishtar, goddess to which she had been dedicated by king Nazi-Maruttash (1307–1282 BC). [9]