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3–2 clave (Play ⓘ) and 2–3 clave (Play ⓘ) written in cut-time. In Cuban popular music, a chord progression can begin on either side of the clave. When the progression begins on the three-side, the song or song section is said to be in 3–2 clave. When the chord progression begins on the two-side, it is in 2–3 claves.
From top: 2-3 clave, timbale bell, bongo bell, two congas. According to Bobby Sanabria, the 3–2, 2-3 concept and terminology was developed in New York City during the 1940s by Cuban-born Mario Bauzá, when he was music director of Machito's Afro-Cubans. [27] The 3–2, 2-3 concept is a basic tenet of salsa, but it is not widely used in Cuba ...
File:Son Clave Pattern duple.mid, File:2-3 Son Clave.MID, and File:Son and rumba clave.png This music image could be re-created using vector graphics as an SVG file . This has several advantages; see Commons:Media for cleanup for more information.
Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval Polyrhythm (/ ˈ p ɒ l i r ɪ ð əm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]
Pattern 2 is used by the Yoruba and Igbo people of Nigeria. [32] Pattern 3 is the bell part in fufume . [33] Pattern 4 is used by the Ga people (Ghana) for the rhythm gahu. [34] Patterns 3 and 5 are used in the Ghanaian rhythm kpanlogo. [35] Patterns 2 and 3 are known in Cuba as rumba clave and son clave respectively.
Another name for clave is guide-pattern, and that is how Bauzá related to it. He taught Tito Puente, and Puente's arrangers learned from him. [15]: 248 The techniques were passed down from one generation to the next. Many educated Cuban musicians reject the idea of 3-2/2-3 clave. Dafnis Prieto and Alain Pérez reject the concept.
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Even the melodic contour is guajeo-based. 2-3 clave is shown above the guitar for reference only. The clave pattern is not ordinarily played in afrobeat. Top: 2-3 clave. Bottom: afrobeat guitar part. Cuban popular music played a major role in the development of many contemporary genres of African popular music.