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A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.
"Threnody for Sharon Tate", written by Freddie Hubbard and İlhan Mimaroğlu, from the 1971 album Sing Me a Song of Songmy "Lament for Booker", written by Horace Parlan in memory of Booker Ervin; In film and other music: "Threnody To Earth" by Dream Koala "Candle in the Wind" by Elton John and Bernie Taupin "Ohio" by Crosby, Stills, Nash & Young
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
In this Rising interview, the Toronto poet-turned-singer-songwriter talks about getting to the heart of his community’s grief, rage, and love on his upcoming debut project, When Smoke Rises.
Brigadier General Daniel Butterfield. The tune is a variation of an earlier bugle call known as the "Scott Tattoo", which was used in the U.S. from 1835 until 1860.[8] [9] It was arranged in its present form by the Union Army Brigadier General Daniel Butterfield, a Medal of Honor recipient. [2]
"Barbara Allen" (Child 84, Roud 54) is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
They were the penguin power couple, a world-famous same-sex pairing whose love was taught about in schools and inspired a pride parade float.Now Magic, mourning Sphen's death, has led their ...
The Tobar an Dualchais Scottish music archive has two recordings related to keening which are available to the public; the first is a keening song sung by Calum Johnston (1891–1972) of Barra, [26] and the second is a verse performed by Donald MacIntyre (1899–1964) of South Uist said to have been used by paid keening women.