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The lyrics were written by Nicks to express the grief resulting from the death of her uncle Jonathan and the murder of John Lennon during the same week of December 1980. The song features a distinctive, chugging 16th-note guitar riff, drum beat and a simple chord structure typical of Nicks' songs.
Ryusuke Anzai (安斉 龍介, Anzai Ryūsuke) - vocals, rhythm guitar Takahiko Matsumura ( 松村 孝彦 , Matsumura Takahiko ) - vocals , bass Shingo Sano ( 佐野 森吾 , Sano Shingo ) - lead guitar , screaming , backing vocals
The song's guitar riff is a slightly slower version of the riff in Cheap Trick's 1978 song "Stiff Competition," which in turn was based on the riff in the Who's 1971 song "Won't Get Fooled Again."
Music lovers in the UK have done their best to finally put to rest the endless debate of what is the greatest guitar riff in music history. The voting was sponsored by BBC Radio 2 for a just over ...
So we kind of borrowed that. And we made it into 'Barracuda'. And we saw the guys from Nazareth later and they were pissed. 'You took our riff!' But that's kind of what everybody—you borrow from what you love and then you make it your own. It's one of those sounds too, it's one of those guitar tones that I'm still trying to figure out what we ...
The production features a sped-up electric guitar riff, sampled from a cover of "Space Oddity", looping over a boom bap beat. [ 2 ] [ 3 ] Lyrically, it criticizes rappers who self-incriminate by rapping about crimes they committed in their own songs.
He also noted that Justin Chancellor's bass riff "stays on the original [guitar] riff so there are some nice little conflicting moments between the two parts". [ 10 ] Thematically, the song is titled after the Greek term for spirit or soul, pneuma , and contains many allusions to "breathing".
A second electric guitar riff, inspired by the American rock band the Byrds, what Doggett calls a "jingle-jangle", is also present but almost buried in the mix. [7] Richard Cromelin of Rolling Stone notes the "faint ring" of 1970's The Man Who Sold the World on the track—"stately, measured, fuzzily electric."