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For example, a piece in E minor will have one sharp in its key signature because the E natural minor scale has one sharp (F ♯). Major and minor keys that share the same key signature are relative to each other. For instance, F major is the relative major of D minor since both have key signatures with one flat.
The key signatures associated with those pitches change accordingly: the key of G has one sharp, the key of D has 2 sharps, and so on. Proceeding counterclockwise from the top of the circle, the notes change by descending fifths and the key signatures change accordingly: the key of F has one flat, the key of B ♭ has 2 flats, and so on.
A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." [4] "'Inbetween chords' that help you get from one chord to another are called passing chords." [5] For example, in the simple chord progression in the key of C Major, which goes from Imaj7/iii7/ii7/V7 ...
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
A typical sequence of a jazz or rock song in the key of C major might indicate a chord progression such as C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord.
Bernhard Ziehn's 1907 list of, "diatonic triads", diatonic seventh-chords," and two examples of, "diatonic ninth-chords," the "large" and "small" ninth chords; all from the C major or the C harmonic minor scale [28] Diatonic chords are generally understood as those that are built using only notes from the same diatonic scale; all other chords ...