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Alice Dunbar Nelson (July 19, 1875 – September 18, 1935) was an American poet, journalist, and political activist. Among the first generation of African Americans born free in the Southern United States after the end of the American Civil War, she was one of the prominent African Americans involved in the artistic flourishing of the Harlem Renaissance.
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
Part of this poem was used as a prologue to the fourth movement of William Grant Still's Symphony No. 1 "Afro-American": [2] Be proud, my race, in mind and soul; Thy name is writ on Glory's scroll In characters of fire. High 'mid the clouds of Fame's bright sky Thy banner's blazoned folds now fly, And truth shall lift them higher.
They include Countee Cullen (1903–1946), Alice Dunbar Nelson (1875–1935), Gwendolyn Bennett (1902–1981), Langston Hughes (1902–1967), Claude McKay (1889–1948), Jean Toomer (1894–1967), and other African American poets of the Harlem Renaissance. The modernist torch was carried in the 1930s mainly by the group of poets known as the ...
Living through the turn of the century was Alice Moore Dunbar-Nelson(1875–1935), a poet often thought of in relation to her marriage to Paul Dunbar. [ 21 ] [ 28 ] Dunbar-Nelson, however, is an accomplished writer in her own right, praised by poet Camille Dungy for breaking out of writing only about "black women's things," instead addressing ...
The poetry of the era was published in several different ways, notably in the form of anthologies. The Book of American Negro Poetry (1922), Negro Poets and Their Poems (1923), An Anthology of Verse by American Negroes (1924), and Caroling Dusk (1927) have been cited as four major poetry anthologies of the Harlem Renaissance. [3]
Mine Eyes Have Seen is a play by Alice Dunbar Nelson. It was published in the April 1918 edition of the monthly news magazine of the National Association for the Advancement of Colored People (NAACP) entitled The Crisis. [1]
American literary regionalism, often used interchangeably with the term "local color", is a style or genre of writing in the United States that gained popularity in the mid-to-late 19th century and early 20th century.