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The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. [1] Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. [2]
Building restoration describes a particular treatment approach and philosophy within the field of architectural conservation and historic preservation. It emphasizes the preservation of structures such as historic sites, houses, monuments, and other significant properties through careful maintenance and upkeep.
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
The Clock Tower of Tirana (Albanian: Kulla e Sahatit të Tiranës) is a monument of cultural heritage located in Tirana, Albania.It was first recognized as a cultural heritage site by the Institute of Sciences through decision no. 95 on October 16, 1948.
Temple of Athena Nike. The conservation and restoration of archaeological sites is the collaborative effort between archaeologists, conservators, and visitors to preserve an archaeological site, and if deemed appropriate, to restore it to its previous state.
Conservation and restoration of Pompeian frescoes; Conservation and restoration at the Smithsonian Institution; Conservation and restoration of ancient Greek pottery; Conservation and restoration of archaeological sites; Conservation and restoration of bone, horn, and antler objects; Conservation and restoration of books, manuscripts, documents ...
These organizations exist to "support the conservation professionals who preserve our cultural heritage". [1] This involves upholding professional standards, promoting research and publications, providing educational opportunities, and fostering the exchange of knowledge among conservators, allied professionals, and the public.
1970s, There were three other full-time, three-year conservation training programs, at the Fogg Art Museum, the Oberlin Intermuseum Conservation Association in Ohio, and the Canadian Conservation Institute in Ottawa; all three ceased providing three-year programs by the end of the decade, but all continue to accept advanced interns.