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  2. Lover, You Should've Come Over - Wikipedia

    en.wikipedia.org/wiki/Lover,_You_Should've_Come_Over

    Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6 8 time and the key of D major.It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B 3 to D 6. [4]

  3. Live in Chicago (Jeff Buckley video) - Wikipedia

    en.wikipedia.org/wiki/Live_in_Chicago_(Jeff...

    Live in Chicago is a live DVD by Jeff Buckley, recorded on May 13, 1995 at Cabaret Metro during the Mystery White Boy tour. Soul Coughing co-headlined the show, and only audio of their set was recorded. [1]

  4. Lover (Rodgers and Hart song) - Wikipedia

    en.wikipedia.org/wiki/Lover_(Rodgers_and_Hart_song)

    "Lover" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart. It was sung in the movie Love Me Tonight (1932) by Jeanette MacDonald. [1]Popular recordings in 1933 were by Paul Whiteman [1] and His Orchestra (vocal by Jack Fulton), Guy Lombardo and His Royal Canadians, and Greta Keller.

  5. You Don't Treat Me No Good - Wikipedia

    en.wikipedia.org/wiki/You_Don't_Treat_Me_No_Good

    "You Don't Treat Me No Good" is a song by American soul group Sonia Dada. Released in 1992 as the group's debut single outside the United States, the song reached number two in New Zealand and became an unexpected number-one hit in Australia, spending four weeks atop the ARIA Singles Chart and ending 1993 as the nation's third-best-selling hit.

  6. Wednesday (EP) - Wikipedia

    en.wikipedia.org/wiki/Wednesday_(EP)

    Wednesday is the third extended play by American singer-songwriter Madison Cunningham.It was released on November 6, 2020, through Verve Forecast Records. [1] Recorded and released during the COVID-19 pandemic, Wednesday consists of four covers of songs by Tom Waits, John Mayer, the Beatles, and Radiohead. [2]

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  8. Talk:Lover, You Should've Come Over - Wikipedia

    en.wikipedia.org/wiki/Talk:Lover,_You_Should've...

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  9. Come Over (Kenny Chesney song) - Wikipedia

    en.wikipedia.org/wiki/Come_Over_(Kenny_Chesney_song)

    The song is set in the key of D ♭ major with a main chord pattern of B ♭ m7–G ♭ sus2–D ♭ /F-D ♭ sus-D ♭ –A ♭. [2]Co-writer Josh Osborne said that when writing the song, he and the co-writers were composing melodies when co-writer Sam Hunt suggested to make it a "kind of desperate thing, like the guy is pleading with this girl to come over."