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Slab serifs declined following the growing popularity of sans-serif faces, with which they always competed. [16] Notable collections of original wood type are held by the Hamilton in Wisconsin [ 17 ] [ 18 ] and the University of Texas at Austin , collected by Rob Roy Kelly, writer of a well-known book on American poster types. [ 19 ]
Slab serif fonts vary considerably: some such as Rockwell have a geometric design with minimal variation in stroke width—they are sometimes described as sans-serif fonts with added serifs. Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs.
The terminal (end) of an instroke or outstroke is often a serif or a stroke ending. A seriffed terminal may be described as a wedge, bulbous, teardrop, slab, etc., depending on the design of the type. Typefaces may be classified by their look, of which the weight and serif style – whether serif or sans-serif – are key features. [9]
Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word sans, meaning "without" and "serif" of uncertain origin, possibly from the Dutch word schreef meaning "line" or pen ...
Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. [ 9 ] [ 10 ] Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display ...
Structural class (such as serif, sans serif, and script typefaces) Historical class (such as oldstyle, transitional, neoclassical, grotesque, humanist, etc.) Relative neutrality (ranging from neutral typefaces to stylized typefaces) Functional use (such as text, display, and caption typefaces)
Sans serif text typefaces (without serifs) often are used for introductory paragraphs, incidental text, and whole short articles. A fashion at the end of the twentieth century was to pair a sans-serif typeface for headings with a high-performance serif typeface of matching style for the text of an article.
In typography, any stroke which does not terminate in a serif is a terminal. [1] By definition all sans-serif typefaces have terminals, and serif typefaces often have them as well. Spurs, ears, and swatches are all terminals, and hooks often end in terminals.